YELANEE- BOOK REVIEW
“Yelanee” by Bibek
Ojha is a novel that explores the tragic and resilient lives of the Badi
community through the poignant narrative of an elderly woman who has witnessed
a lifetime of joy, suffering, and societal upheaval. The book is a layered
account of the intersection between love and loss, individual struggle, and
collective memory.
The Badi community in Nepal has long faced social
marginalization and discrimination due to their traditional involvement in
entertainment and sex work, which has relegated them to the fringes of society.
Ojha delves deeply into these issues by focusing on the lived experiences of
his protagonist—an old woman who has much to say about her past and how it has
shaped the present realities of the Badi people. Her voice becomes the channel
through which we, as readers, gain insight into the Badi community’s past and
understand how those historical circumstances continue to influence their
current situation.
The protagonist, with her vivid memories, takes us back to a
time when the Badi community grappled with societal prejudices, struggling to
find dignity and respect in a world that often viewed them with contempt. As
she recounts her own experiences, we learn about her youth, her relationships,
and the sacrifices she made, all of which are interwoven with the broader
narrative of the community’s fight for identity and survival. Her life story is
not just her own but also a microcosm of the collective fate of the Badi
people.
Through the protagonist’s account, the novel captures the
social and economic factors that forced many in the Badi community into
exploitative roles. Despite this, there is a persistent undercurrent of
resilience and strength in the woman’s voice. She does not simply recount tales
of victimhood; instead, she tells stories of agency, defiance, and the will to
keep pushing against the limitations imposed on her and her people. Her
reflections on love, in particular, are colored by both tenderness and sorrow.
Love, in the world of Yelanee, is not free from the burdens of societal
judgment and economic necessity. The protagonist’s relationships—whether
romantic or familial—are often tainted by external pressures and internal
conflicts, yet they also serve as a source of strength and solace.
One of the novel’s central themes is the duality of love and
tragedy. The old woman’s love stories are not fairy tales but are marked by
sacrifice and an acute awareness of her circumstances. Her love for a man who
could never fully be hers due to the constraints of social norms, her devotion
to her children despite the lack of resources, and her bittersweet memories of
moments of fleeting happiness all serve to portray love as a multifaceted
emotion that can uplift but also ensnare. The tragic undertones of these
relationships are heightened by the sense that the protagonist’s personal
losses mirror the larger losses experienced by the Badi community—of dignity,
respect, and opportunities for a better life.
Ojha’s narrative approach is reflective and contemplative.
He employs the old woman’s voice to transport readers between different
timelines—her youth, middle age, and present. This narrative structure allows
us to see not only the changes within the protagonist herself but also the
gradual shifts in society’s attitudes toward the Badi people. The community’s
struggle for social justice is not linear but fraught with setbacks and
disappointments. The protagonist’s reflections show that, while some progress
has been made, much remains unchanged, and the scars of the past still run
deep.
The novel’s setting plays a crucial role in shaping the mood
and tone of the story. The Badi community, often pushed to the periphery,
exists in spaces that are physically and metaphorically marginalized—villages
on the outskirts of development, cramped urban dwellings where they are not
fully accepted, and transient places that reflect their precarious existence.
The protagonist’s descriptions of these places evoke a sense of displacement
and impermanence, emphasizing the uncertainty that has always loomed over their
lives.
Bibek Ojha handles the subject matter with a delicate
balance of empathy and realism. He does not shy away from depicting the harsh
realities of the Badi community’s life but also ensures that their stories are
told with dignity and respect. The old woman’s voice, though marked by pain, is
not defeated. Her narrative is imbued with a quiet strength that compels the
reader to listen, to bear witness to her truths, and to reflect on the social
structures that perpetuate such suffering.
The novel’s title, Yelanee, is symbolic in itself. It
is a name that resonates with the theme of yearning—yearning for a better life,
for acceptance, and for love that transcends the barriers set by society. The
old woman’s story is, in essence, a plea for recognition of the Badi people’s
humanity and their right to be seen as more than the roles imposed upon them.
In conclusion, Yelanee is a powerful and heartrending novel that provides a window into the lives of a community that has been historically silenced. Through the voice of its protagonist, the novel becomes a platform for the Badi people’s stories to be told, their resilience to be acknowledged, and their humanity to be celebrated. It is a story of love and loss, hope and despair, and ultimately, the enduring strength of a people determined to claim their place in the world.
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