SEVEN LIVES, ZERO IMPACT: A DISAPPOINTING DIVE INTO SURFACE-LEVEL STORYTELLING
Book: The Girl
With The Seven Lives
Author: Vikas
Swarup
Published:
2024
Publisher:
Simon & Schuster
The Girl With The Seven Lives promises
intrigue, depth, and drama, but delivers a bloated, over-engineered mystery
that struggles to justify its own narrative ambition. For a novel centered on
the idea of reinvention and resilience, it ironically fails to reinvent the
formulaic storytelling Swarup seems to rely on too heavily.
From
the outset, the book suffers from an identity crisis. It oscillates awkwardly
between being a social commentary, a murder mystery, and a human drama —
without succeeding fully at any. The titular character, Sapna Sinha, is
presented as a woman of many layers, but the narrative doesn’t give her enough
genuine interiority. Her “seven lives” are little more than plot gimmicks,
presented in a checklist-like fashion rather than woven into an emotionally
resonant arc. Instead of complexity, we get a caricature.
Swarup’s
writing, while readable, often descends into clichés. Characters speak in
stilted dialogue that feels written for TV rather than literature. The pacing
suffers from too many detours that add little to the emotional or thematic
weight of the story. The mystery at the heart of the novel becomes increasingly
convoluted, not in a clever or rewarding way, but in a way that feels
artificially suspenseful — like the author is more interested in springing twists
than telling a grounded, human story.
Journalist
Ashwin Jamwal, the narrator, is a particularly weak protagonist — bland,
conveniently insightful, and emotionally hollow. His investigation doesn’t
unfold organically but feels spoon-fed through chance encounters, forced
revelations, and improbable coincidences. It’s difficult to invest in a mystery
when the stakes feel manufactured and the characters so disconnected from
emotional realism.
Even
on a thematic level, the novel tries to do too much: gender politics, class
struggle, media ethics, corruption — all are touched, but none explored with
any real nuance. The result is a book that gestures toward seriousness without
ever fully committing to depth.
Ultimately,
The
Girl With The Seven Lives feels like a missed opportunity. It
squanders a compelling premise by choosing sensationalism over sincerity,
complexity over clarity, and cleverness over connection. For readers seeking
emotional truth or narrative substance, the novel may feel hollow — style over
substance, plot over people.
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